What If We Were Beautiful?

After my dad died, in 2015, my Mum saw me grieving and told me to paint something beautiful. I didn't have it in me, and I painted a whole lot of anger and pain. Sometimes we just have to paint our truth. But… what we create becomes our truth, as well. My mother also told me–countless times throughout my life–that if I wanted to feel happy, I could just make myself smile. That's the last thing you want to hear when you need to be seen and heard; when your experience needs to be acknowledged. But it's also true. And it's been the way I manage the worst experiences life throws at me. I stretch my lips out sideways, rub my cheeks vigorously, and just grin. I fake a laugh until I feel how silly I am, and it becomes real. I paint the most beautiful things I know–the birds and trees and plants and wind and flowers–until their beauty fills up the void left by the pain.

A woman is painting butterflies on the side of a car. The woman has brown hair pulled back in a bun, and is wearing a tank top. She's smiling at the camera, while holding a can of metal paint in one hand, and a paintbrush in the other. The paintbrush is mid-stroke on an orange and black West Coast Lady butterfly wing. Below the butterfly are a green moth and a blue butterfly, and another West Coast Lady butterfly.

When my mother was dying, I painted my car. I covered it with butterflies. "Why?!" People asked me. "Oh the resale value!!" But I did it because beauty. Because the local species of butterflies and moths I painted remind me of a happy day in my garden, and of the butterfly-effect, where small acts of beauty (like painting my car) might in turn create much larger beauty. I painted it because I don't want to live in a world where something as essential to my life as my vehicle is effectively just a gamble against the future, waiting to be re-sold. And I painted it because my mother was dying, and I needed something joyful to do, in between the doom and pain that pervaded our days.

It's not that the pain is really gone, of course, just because we create some beauty. We still need to deal with the horrors of life, and to heal the pain, itself. But at the same time, the world is carrying on around us, and we are contributing to how it grows, whether we're aware of it or not.

Decades of studies have shown us, by now, that the media we consume affects how we experience the world around us. What about what we create? What about how we create? I spent a few years creating social media videos about our local ecology and my nascent regenerative food farm. Making the videos forced me to consider the way I spoke about those things. Editing the videos made me think about how my words would come across to others. Publishing the videos exposed me not only to generally positive feedback from viewers, but also to other videos with similarly nature-celebrating themes that came up in my own feeds.

On the other hand, I've also landed in negative feedback loops, for example when posting my negative political views on our local forum. People fought me, I became angry and argued back, people stated all kinds of further negativity, and generally the conversations devolved, and community bonds broke. I'm not trying to imply that we shouldn't speak up for causes we think are important, but how we do it matters greatly.

What if, instead of calling out harmful things we notice (or in addition to calling them out, if they really need to be stopped imminently), we built the world we want, right alongside the world we don't want, and just lived in that world we want? Would others join us? I think so! Or maybe they'd all be building their own utopias, and one day there would simply be more of us living in joy than in fear and resentment. What if, instead of being ugly with our thoughts, we were beautiful?

It's not possible to be beautiful all the time. Sometimes we just have to curl up in a ball and let the sad times roll over us. But I feel like I come out of such times healthier when I've cultivated enough beauty inside of me that some of it is still there to blossom, when the tears dry up. Then there's more of me to go about building the world I want, by making all life's little choices in line with my vision for a beautiful world.

My mother's gone, now, so I have to summon the memory of her voice in my heart: Emily, make something beautiful. And I, like she, and like you, have to be that voice for ourselves and others. Go make something beautiful. Be beautiful. Find what brings you joy and cultivate it.

Time for Beauty

A close-up photo of a basket containing pruning shears, a lot of broccoli, about ten hand-sized cucumbers, and a small head of orange cauliflower. Beside the basket, the brown leather toes of Emily's garden shoes can be seen.

Under the scribbled tentative title of the book I'm writing, on the little magnetic chicken notepad on my fridge, which probably should be used for grocery reminders, but instead is used for… random stuff, there's a quote I just can't let go of:

"In such ugly times, the only true protest is beauty." ~Phil Ochs

Four newly-hatched pale yellow fluffy chicks forage in the dappled sunlight, which is streaming down through tall green weeds and yellow calendula flowers. Spikes of plantain seeds are in the foreground.

It's been a long time since I could see beauty. It disappeared last year, while my Mum was undergoing treatment for, and slowly dying of, a brain tumour. Now I look at the whole world she gave me–the flowers and garden; this home that I grew up in, which I raised my kids in and still rent from my father; the rain and snow and sunshine, and the deep, deep love of it all–and it looks grey. An artist friend told me that's just what depression looks like. She said it took four years for her to see colours again after her partner died. I wish I could say I'm angry about that. But I'm not, even. I feel grey about that.

Close-up photo of a head of green cauliflower, still nestled in its leaves.

Despite this, my garden grows on. The hens have their babies, and now the whole yard is full of veggies offering themselves to the insects and the molluscs, to the chickens and to me. Full of my father walking around making nurturing adjustments to his yard and his days and his heart. Full of my partner gently going about the jobs of living, even while I've been so empty of life. Full of life, whether I see it, or not. My beautiful Mama wanted me to see it. She knew depression all her life, and she wanted me not to have that. After she died, I dreamed that she was showing me the prismatic beauty of the world. But when I woke up, it was still grey.

Inside a long arched trellis full of beans and white-blooming radishes on the left, and cucumber vines and hung bunches of curing garlic on the right, a blond-and-grey bearded man stands reaching up, taking down bunches of garlic to put into a cardboard box that's at his feet. He is pulling in the garlic before it rains.

So I'm trying to document the beauty, again. Maybe so one day I can look back and see that it really was there, after all; maybe just so I documented what my heart can't see. Or maybe to protest the ugliness of loss.

Fifteen chickens of various breeds and colours stand all over an unmowed lawn of clovers, weeds, and grasses, foraging in the partial shade of surrounding magnolias.

Anyway, my hands know how to do the motions of documenting, even if my heart can't see. So here's my garden. I hope you can see it. I hope it encourages you to grow flowers, food, life, and love everywhere because even when you can't see them for the pain, these things living despite it all is what carries us through.

A white-barked copper beach trunk on the right of the photo, and the sun streaming down on the left, illuminating grass flowers in the foreground.

💚

A huge clump of bright orange marigolds blossoms among carrot greens behind two wooden stakes with black hand-printed lettering that reads Alkindus Lettuce, and Carrots.